"A business trip to London in 1950 proved a turning point. Ray and
wife travelled to London by ship, a journey that took 16 days.
With him, he was carrying a notebook in which he had made some
notes on making a film of Pather Panchali. He wanted the film to
be shot on actual locations, no make-up with new faces. The
reaction to this had been negative from his friends. Shooting on
locations with unknown actors was thought be a totally unfeasible
idea. In this six-months long stay abroad, Ray saw about a
hundred films including Vittorio De Sica's Bicycle Thieves.
Bicycle Thieves made a profound impression on Ray. Later, in the
introduction of 'Our Films, Their Films', he wrote- "All through
my stay in London, the lessons of Bicycle Thieves and neo-realist
cinema stayed with me". The film had reconfirmed his conviction
that it was possible to make realistic cinema with an almost
entirely amateur cast and shooting at actual locations. He had
completed his treatment of Pather Panchali on the return journey
to India by a ship"
- Biography - 'Bicycle Thieves' Effect :: SatyajitRay.org
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