check out the similarity in the font and the colours link »
www.stylebubble.co.uk/
www.stylebubble.co.uk/

Harry Potter and the Prisoner of Azkaban (2004) - The freeze frame ending on Harry's face is quite similar to the freeze-frame ending of Antoine Doiniel in the "The 400 Blows" link »
Y tu mamá también (2001) - The shot of Luisa walking onto the Heaven's Mouth beach for the first time is an homage to the final shot in The 400 Blows link »
www.imdb.com/

rofl link »

theres a part 2 link »

Dr Caligari reference in George Romero's Day of the Dead... even the stubble is there link »
thefilmsmith.com/
A business trip to London in 1950 proved a turning point. Ray and wife travelled to London by ship, a journey that took 16 days. With him, he was carrying a notebook in which he had made some notes on making a film of Pather Panchali. He wanted the film to be shot on actual locations, no make-up with new faces. The reaction to this had been negative from his friends. Shooting on locations with unknown actors was thought be a totally unfeasible idea. In this six-months long stay abroad, Ray saw about a hundred films including Vittorio De Sica's Bicycle Thieves. Bicycle Thieves made a profound impression on Ray. Later, in the introduction of 'Our Films, Their Films', he wrote- "All through my stay in London, the lessons of Bicycle Thieves and neo-realist cinema stayed with me". The film had reconfirmed his conviction that it was possible to make realistic cinema with an almost entirely amateur cast and shooting at actual locations. He had completed his treatment of Pather Panchali on the return journey to India by a ship. link »
www.satyajitray.org/
Raymond, the butler . It's a common misconception that no one was in the room when Kane spoke his dying word(s), "Rosebud"...but the script itself contradicts this idea. At the end of the film, when "News on the March" reporter Mr. Thompson (William Alland) asks Raymond (Paul Stewart) about the meaning of the term "Rosebud," Raymond states that he heard Kane say "Rosebud" just after his second wife left Xanadu...and, he adds, "that other time, too." We never *see* Raymond in the room during the opening scene of the film when Kane dies, but the dialogue demands (as does logic) that *someone* heard Kane's final words, and Raymond appears to have been that critical witness -- "that other time, too" seems to be a reference to Kane's final moment alive. link »
www.funtrivia.com/

Altman's camera is the star of Gosford Park , though it fares better below the stairs than it does above. His signature wayward close-ups prognosticate unseemly deaths, panes of glass emphasize the claustrophobic nature of the servants' daily work and mirrors stunningly implicate suspects of their crimes. Altman's cramped framing fiercely compliments the rigid hierarchy of power that rules and threatens to shatter the servant roost. link »
www.slantmagazine.com/